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The Ministry of Laughter:
Interview with Chicano Writer Victor Payan

by Perry Vasquez

The job of being a political satirist suddenly became a much more risky job after the WTC attack on September 11. Several highly publicized cases of reporters and commentators losing their jobs or being censured by their editors for speaking out against the national line have been making the talk show rounds. As a result many writers and comics have been ducking for cover.

But not all of them! Victor Payan (not his real name) answers some questions about what it is to laugh during wartime.



What were you doing when you first heard about the attack on the World Trade Center? How did it make you feel?

Victor: Like most people, I turned on the news first thing in the morning and heard the anchor say, "The Twin Towers are gone." Then I saw the footage. By the tenth repeat, the reality of it began to sink in. My first reaction was that it was Miami Cubans angry about the Latin Grammys being moved to L.A., but then I heard that the attack was well-organized and I realized that it couldn't have been Latinos. And it was on time. But honestly, my first reaction was that it was Bush and Cheney. The phrase "American Blood on American Soil," which masked the US-provoked skirmish that started the Mexican War in 1846, kept resonating in my brain. "Remember the Main". The Gulf of Tonkin. It fit the M.O. Before, nobody was interested in Bush's military hocus pocus, and now people are ready to hand over their civil liberties in exchange for a strong "home defense." It didn't surprise me that the first thing Bush asked for was the War Powers Act and a blank check for military spending rather than medical aid and disaster relief. Keep your eyes on those guys. They're up to something. I feel a tremendous sadness for the people who perished and their families. There are mothers crying all over the world because of this. I hope no more innocent people die as a result of this heinous act.

What's your sense of how the media conducted itself that day?

Victor: On the first day I think the media did an excellent job of trying to make sense of a senseless act. They kept their heads as the facts emerged. Later, though, they repeated the official White House version without questioning it. That second week, during the military escalations, it was frightening to see the media rally us toward a war without the benefit of naming an enemy, declaring that it would be a "new kind of war," a war of covert actions kept out of the news, perhaps never divulged and with the potential of state-sponsored assassinations. What's new about that? Anybody remember Latin America? Central America? Iran-Contra?

Now, though, the media are being more critical and doing their research. A lot of things are coming out that will cast a bad light on the US. Not the people, but the government. There's been more empathy and understanding in the news recently, and I find that hopeful.

Speaking as a political satirist, how have these events transformed President Bush's image?

Victor: Like I've said before, because of all his press conferences and public statements, Bush is now reading at the tenth grade level. So that's gotta be good for his image. And I think his golf game has improved since he "took" office. But when I hear the media analysts say that Bush is handling the current situation well, I wonder, "Are we looking at the same footage?" I mean, Bush standing on the rubble with the bullhorn and vowing to kick Afghanistan's ass. Didn't he realise he was sloganeering on a pile of corpses? To many it was patriotic and presidential. I thought it was macabre, grotesque and disrespectful. All around him people are heroically searching under every inch of rubble for survivors, and he jumps up there like Douglas Fairbanks. It was like he was rounding up a posse. And that whole wanted poster remark. I was surprised they didn't call the mobilization "Operation Frontier Justice." Shoot first and ask questions later. I still wish Martin Sheen would have run for President.

Do you think there is any symmetry between Jerry Falwell's remarks on the 700 Club and Bill Maher's commentary on his show, Politically Incorrect?

Victor: After Falwell's comment about the shared responsibility between liberals, gays, foreigners and terrorists, I was sure he was going to declare a crusade against Jamie Farr for that whole Corporal Klinger thing. And Maher's comments about US military cowardice for launching mechanical death from hundreds of miles away. The only symmetry I see is that they were both being honest, and they both apologized but didn't really mean it. Falwell's extremist comment reminds us that we have our own fundamentalist hatemongers bent on starting a holy war, only they shave, wear expensive suits and invest God's money into theme parks and politicians.

In the aftermath, comedians are starting to relocate their funny bones a little. How do you feel about this?

Victor: I think it's important to make people laugh during these times, because there is so much pent up stress and anxiety. Laughter is a communal and very primal thing. We laugh when we're afraid, and it allays our fear. It is a physiological response. And psychologically, sometimes gallows humor is our only defense against truly dreadful situations. Laughter empowers the spirit. It is also a way to address a truth or observation that might otherwise get you in trouble. It might be safer to say, for example, "Bush is trying to be hip, so he's governing by hip-ocracy," than to write a serious article listing all the facts relating to why Bush's actions are hypocritical, or, as Bush might say: "hypocriminal." That might make people feel helpless. Tell it in a joke, though, and people might go: "Yeah, that's right!" I like that "Bush Laden" photo circulating on the net, and that "Curious George" picture from earlier this year with Bush and the chimps. Those possess more truth than a lot of the powderpuff commentary we're getting.

We need critical voices at this time to sift through the symbolic and factual rubble, and the first ones to step into the breach have been the comedians and political cartoonists: Jon Stewart, Bill Maher, Pocho Magazine, The Onion. But the message has to fit the medium. Even I find myself holding my commentary until I feel the timing is right, because timing is critical in all humor. I hope when comedians do step up to the mike, however, they go at it full bore, because we need to say things that nobody is saying.

I recently read that shortly after the Kennedy assassination, Mort Sahl went onstage with a newspaper that had the picture of Jack Ruby killing Oswald. He supposedly said, "Here is a picture of Jack Ruby shooting the assassin, surrounded by 24 members of the Dallas Police Force...Or 25 if you count Ruby."

That's the kind of honest, critical voice we need right now, because evil triumphs when good people do, or in this case, say, nothing.

Do you have any jokes you'd like to try out on our studio audience?

Victor: About the bombing, no. The first joke I remember, though, was a photo of the World Trade Center rebuilt as a giant hand giving the middle finger. It was during those early days when angry white guys were shooting at mosques, killing Muslims and beating up Mexicans just for looking like Muslims, all in the name of defending freedom. I still don't know why those weren't classified as terrorist acts. Still, the joke was a barometer of the time, and hopefully today's jokes will help promote understanding and not violence. So I don't have any jokes right now per se, but as soon as George W. Bush or Osama Bin Laden slip on a banana peel, I'll be there. All I would say regarding George W. Bush, though, is that it's up to all of us to make sure the "W" doesn't stand for World War III. That would be unfunny.

 


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